c. About his work

Uffe Isolotto works with physical and digital sculptures, as well as time-based media such as film and animation. A recurring motif in Isolotto's work is the way in which the changing technological reality in which we live can be represented and understood through composite bodies, which challenge established notions of the human and the non-human. His works are set in a post-human state, where man is increasingly alienated from his own technological creations and from a nature to which it is increasingly difficult to return. Uffe Isolotto runs the Age of Aquarius exhibition and production platform with Nanna Starck from an Østerbro roof garden overlooking the Copenhagen skyline. Through curating and producing work, they have cultivated different ecologies, both biological and synthetic, and over time, the two distinct paths of Isolotto's practice have increasingly merged into one that includes both the body, technology and ecologies in the broadest sense. As well as working in the Age of Aquarius collective, Uffe Isolotto has a history as founder of the now-closed artists' venue and artists' collaboration TOVES, which began in a bankrupt retail gallery, and eventually sold its entire enterprise to Roskilde's Museum of Contemporary Art in a final gesture. Uffe Isolotto graduated from the Royal Danish Academy of Fine Arts in 2007 and lives and works in Copenhagen. He has participated in exhibitions at home and abroad, including Arken, Den Frie Udstillingsbygning, Nikolaj Kunsthal and Malmö Konsthall. He is represented with works at the Statens Museum for Art and the Holstebro Art Museum. In 2022, he will represent Denmark at the Venice Biennale.